Please forgive me for not writing in a long time. A lot has been happening and it has been challenging to keep up with posting. (Such is the life of a full time college student)
Today’s post deals with picking the right colleagues.
Why am I posting this now?
Well, I spent this weekend shooting footage for NAZ Today of the Sedona Film Festival.

Sedona Film Fest 2010
I got a tremendous quantity and high quality of footage, including an event called “Conversation with Michael Moore” and several great interviews with directors and producers of the films being screened at the festival.
NAZ Today is also usually nice enough to let me post my stuff here, which is cool, especially for this event, because it is totally in line with this blogs main goal, which is to inform actors and other new filmmakers (and older filmmakers) how to do their thing better or to get started or to simply be an inspiration (as others have inspired me).
This material also would have been really great on my reel… But unfortunately, I probably will never get my hands on the footage again.
The colleague I went with to the festival decided that his ambition was more important than a team win or having integrity.
He, essentially, stole material from me, didn’t credit me and used me to get into the festival.
I am pretty shocked and distraught because I have never found this behavior at NAZ Today.
NEVER EVER.
I love working at NAZ Today because it is so collaborative. And while the work environment at NAZ Today encourages personal achievement, it has never been in a sketchy way, such as it was with this new guy this weekend.
That’s why I felt so comfortable there, because it meshed with my personal values and beliefs.
Maybe he doesn’t know that NAZ Today’s M.O. is that we support each other rather than screwing each other over.
But, to me, integrity in any environment is always the best choice.
Ironically, he’s the one that really screwed himself over because when one acts out of integrity, one loses trust.
And he is not good enough to be as arrogant. His shots were lousy and his news package was laughable. And you know who suffers for this? Not me. NAZ Today and Sedona Film Fest for being represented so poorly. I would have posted the package here but it’s too embarrassing.
I’m excellent at what I do, and I’m great at finding great stories. I have worked on the professional level and I would hook up everyone I know if given the opportunity, as long as I like them, trust them, and respect them.
I don’t feel trust, respect or liking for this new guy. (who would?) He’s a douchebag, and he will be treated as such for the rest of the time I have to be around him.
As a side note, I’m going to look at the upside of not getting the Michael Moore material for my reel by reminding myself that I’m a comedian, a comic writer and a comedic director/producer.
I’m not a news person, though I am getting stronger at the comedy (especially working in live TV) by working at NAZ Today, so in an indirect way it is helping with my goals.
So I officially shrug my shoulders and walk away and let them have Mr. Douchebag if they want him.
And my point in writing this is that, if I did care or really need the Sedona Film Fest material for my reel, I would have been really messed up by choosing a shooting partner that lacked integrity.
I actually didn’t choose him, he showed up and I let him help, which was a bad choice, I guess, but at the time I thought I could trust everyone within the NAZ Today organization.
I’ll just take a page out of my hero Trey Parker’s philosophy and be sure to fart on Mr.Douchebag every time I see him.
Anyhoo, here are some stills I took at the event. They’re pretty low quality, but that’s what I have…

Sedona Film Fest 2010

Michael Moore at Sedona Film Fest 2010

Jerry Stiller at Sedona Film Fest 2010


